Ethnomusicology Ireland - Issue 5
ISSN 2009-4094
Editor: Tony Langlois
Deputy Editor: Aileen Dillane
Reviews Editor: Méabh Ní Fhuartháin,
Technical Editor: John Millar
Peer Review Panel for Ethnomusicology Ireland 5
John O’ Flynn, Ioannis Tsioulakis, John Morgan O’Connell, Rosemary Day, Aileen Dillane, Robin Parmar, Griffith J,Rollefson, Liz Mellish, Kevin Dawe, Aoife Granville, Martin J. Power, Alan Dormer, Christopher Smith, Razia Sultonova
Review Panel
Aoife Granville, Tristan le Govic, Niall Vallely, Verena Commins
Issue 5
Editor’s Preface
Ethnomusicology Ireland 5 This fifth edition of Ethnomusicology Ireland emerges into the light at an auspicious moment. Not only is…
Review: ‘Ó Am go hAm/From Time to Time: Tutor, Text and Tunes’ Tommy Peoples
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Review: ‘Flowing Tides. History & Memory in an Irish Soundscape’ Gearóid Ó hAllmhuráin
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Review: Harp Studies Sandra Joyce & Helen Lawlor (Eds.)
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Review: Call to the Dance: An Experience of the Socio-Cultural World of Traditional Breton Music and Dance – Desi Wilkinson
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Choreographing the Self: Staged Folklore and Popular Music in Rural Tajikistan – Federico Spinetti
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Do We Still Need To Think Musically? (Musings about an Old Friend, Fishing Nets, Templates, and Much More) – Marcello Sorce Keller
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Collecting Folk Music in the Land of the Zemzems: Report on the Turkmen expedition of 2011 – János Sipos
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A Destabilising Pleasure: Representations of Alternative Music in Irish Fanzines – Ciaran Ryan
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Antonis’ Wedding: The Moment, The Music and Rites Between Tradition and Modernity in Cyprus – Michalis Poupazis
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Listening to dissonance: Invoking a reflexive listening practice in researching musical experience – Helen O’Shea
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Sean-nós song in the Oireachtas na Gaeilge Festival: The Aesthetics of sean-nós song through the Gaze of the Oireachtas na Gaeilge Adjudicators – Eamonn Costello
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Singing the Memory of Sepharad: Traditional Sephardic Song and its Interpretation – Katerina Garcia
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Radical Ethnomusicology: Towards a politics of “No Borders” and “insurgent musical citizenship” – Calais, Dunkerque and Kurdistan – Ed Emery
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