News

Choreographing the Self: Staged Folklore and Popular Music in Rural Tajikistan – Federico Spinetti

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Do We Still Need To Think Musically? (Musings about an Old Friend, Fishing Nets, Templates, and Much More) – Marcello Sorce Keller

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Collecting Folk Music in the Land of the Zemzems: Report on the Turkmen expedition of 2011 – János Sipos

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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A Destabilising Pleasure: Representations of Alternative Music in Irish Fanzines – Ciaran Ryan

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Antonis’ Wedding: The Moment, The Music and Rites Between Tradition and Modernity in Cyprus – Michalis Poupazis

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Listening to dissonance: Invoking a reflexive listening practice in researching musical experience – Helen O’Shea

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Sean-nós song in the Oireachtas na Gaeilge Festival: The Aesthetics of sean-nós song through the Gaze of the Oireachtas na Gaeilge Adjudicators – Eamonn Costello

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Singing the Memory of Sepharad: Traditional Sephardic Song and its Interpretation – Katerina Garcia

Posted onJuly 12, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Radical Ethnomusicology: Towards a politics of “No Borders” and “insurgent musical citizenship” – Calais, Dunkerque and Kurdistan – Ed Emery

Posted onJuly 11, 2017
Byadmin_ictm
Issue 5, Uncategorized

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Encoding authenticity in radio music: Renfro Valley Barn Dance and Kentucky folk music – Helen Gubbins

Posted onJuly 11, 2017
Byadmin_ictm
Uncategorized

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